Iraq’s Cultural Events Experience Low Public Engagement Despite Government Initiatives

Iraq’s cultural events suffer from low public turnout despite government efforts. Attendance is mainly restricted to specialists, with critics citing past governmental associations and perceived political motivations as key reasons. The International Book Fair is noted as a notable exception attracting a broader audience, while repetitive themes in festivals and poor scheduling discourage participation. A strategic revamp is recommended for enhanced public engagement.

Despite government initiatives to enhance the cultural landscape in Iraq, public attendance at cultural events remains disappointingly low. Most participation is limited to specialists, indicated by statements from Ministry spokesperson Ahmed Al-Aliawi. The ministry, along with its 22 associated departments, hosts various literary, artistic, and cultural activities, including festivals, performances, exhibitions, and the Iraqi Creativity Award.

Al-Aliawi emphasized that the ministry supervises numerous cultural events such as book fairs, poetry readings, and theatrical festivals, even though some operate independently. Poet and critic Mohammed Al-Kaabi, representing the General Union of Writers and Authors, attributed the lack of public interest to historical links between cultural initiatives and governmental authority, which diminished their societal significance.

Furthermore, Al-Kaabi noted that the excessive number of cultural organizations could alienate audiences who regard many events as politically biased. He remarked that potential attendees, like university students, often overlook the intellectual value of these events, preferring social media instead. Visual artist Mohammed Al-Mutairi remarked that cultural activities are predominantly confined to specific artistic communities, with distinct groups attending their respective genre-focused events.

Al-Mutairi pointed out that the International Book Fair is an exception, as it draws a varied audience of writers, artists, and scholars. However, theater artist Zaki Al-Jaber criticized the monotony of themes at festivals, suggesting this repetitive content leads to dwindling interest. He observed that many attendees leave events to engage in smoking or socializing, highlighting issues such as poor venue choice and inconvenient scheduling as deterrents to public participation.

Al-Jaber called for a more comprehensive strategy regarding cultural festival organization, urging leaders to diversify topics, invite innovative artists, and cultivate events that attract a broader community.

In summary, Iraq’s cultural events are marred by low public attendance, primarily involving specialists and niche audiences. Factors contributing to this trend include historical ties to authority, political biases within cultural organizations, and unappealing formats. To enhance engagement, a diversified approach to festival content and organization is essential. The focus must shift toward inviting inclusive participation to restore meaningful connections between cultural activities and the general populace.

Original Source: shafaq.com