South African Filmmaking Community Demands Reform Amidst Rebate Crisis

Filmmakers in South Africa express urgent concerns about the dysfunctional cash rebate system, citing unpaid claims and delays from the DTIC. Protests demand expedited approvals and support, with industry leaders pushing for a simplified rebate process. A recent memorandum outlines grievances and emphasizes the sector’s economic value. Despite challenges, there is cautious optimism for resolution and recovery within the industry, amidst ongoing communication efforts with government representatives.

South African filmmakers have raised urgent concerns regarding the nation’s cash rebate system, citing extensive delays with unpaid claims and a lack of transparency from the Department of Trade, Industry and Competition (DTIC). This 25% rebate initiative is reportedly faltering, as an increasing number of applications remain unprocessed. Tshepiso Chikapa Phiri, CEO of the Known Associates Group, expressed deep dissatisfaction at the Joburg Film Festival, describing the current state as “shocking.”

In Pretoria, local film and television industry members recently demonstrated outside the DTIC, demanding expedited processing of rebate applications and settlements of outstanding debts. The protest was led by notable industry organizations, including the Independent Producers Organization and Animation SA, voicing collective frustration over stagnant government action. Joel Chikapa Phiri, chairman of Known Associates Group, proclaimed, “Pay the claims! Pay them now!”, encapsulating the sentiment felt by the attendees.

During the protest, a memorandum was submitted to the DTIC, outlining key grievances and frameworks for a revised rebate system characterized by simplicity and reliability, alongside reduced bureaucracy. The memorandum underscored the film sector’s economic contributions, which, prior to the pandemic, employed approximately 60,000 individuals and generated annual revenues between 8-10 billion rand ($440 million to $550 million).

As filmmakers strive for economic viability post-COVID-19, the stagnation of rebate approvals exacerbates the financial strain within the industry. Marc Schwinges, producer and IPO chairperson, highlighted the limited resources available through platforms like the National Film and Video Foundation, indicating profound challenges in navigating South Africa’s financial landscape.

Nomsa Philiso, CEO of MultiChoice’s general entertainment division, echoed sentiments of strain within the industry, stating, “Everybody is struggling because of the economy.” With constrained finances impacting broadcasting budgets, Philiso reassured that the company remains committed to supporting the industry without cuts to commissioning budgets.

The production services sector in Cape Town also faces difficulties linked to rebate uncertainties, compounded by post-COVID realities and recent Hollywood strikes. Although business was initially buoyant in 2023, Lynne-Anne Vosloo, CEO of Moonlighting Films, remarked that recovery to pre-pandemic levels has been slow.

Despite challenges, certain projects, such as Netflix’s adaptation of “One Piece,” have provided crucial support for the industry, sustaining many local entities. However, negotiation strategies are shifting; firms like Film Afrika are focusing less on rebates and more on showcasing the economical production advantages South Africa offers.

As frustrations mount over communication gaps between the government and industry, a potential path forward emerged during the protests, with DTIC Deputy Minister Zuko Godlimpi suggesting a working committee to foster dialogue. Tshepiso Phiri remarked on this development as a significant step, noting the commitment to resolve outstanding claims.

While obstacles remain, industry leaders express cautious optimism towards overcoming these challenges, emphasizing resilience. Philiso affirmed a positive outlook, stating, “People are very optimistic. No one is throwing in the towel.” Vosloo similarly acknowledged past dips in the industry, confidently stating that renewal is always possible. The Joburg Film Festival is scheduled to take place from March 11-16.

The South African filmmaking community faces significant challenges due to delays and uncertainty surrounding the cash rebate system managed by the DTIC. Industry leaders have rallied to demand transparency and efficiency in processing claims, illustrating the profound economic significance of the sector. While frustration persists, recent proposals for improved communication and support from government representatives provide a glimmer of hope for a resolution. The resilience and determination within the industry suggest a path forward, despite ongoing struggles associated with economic constraints.

Original Source: variety.com