Reviving Political Expression in Carnival: Vulgar Fraction’s Legacy in Trinidad

Vulgar Fraction, a unique masquerade band in Trinidad’s Carnival, emphasizes political history and resistance through artistic expression. Led by Robert Young, their 2025 theme “Kongo Déy” critiques global inequalities linked to the Congo. Young’s focus on cultural heritage challenges the commercialization of Carnival, advocating for greater inclusivity and political awareness during the festival.

In Trinidad and Tobago, the Carnival tradition embodies not only festivity but also political expression. One distinctive group, Vulgar Fraction, characterized by their unique costumes made from materials like shredded banana plants and cardboard cutouts, aims to highlight the often overlooked historical significance of Carnival. Their approach serves as a response to the commercialization that has dominated modern celebrations.

Historically, Carnival has roots deeply intertwined with the resistance of enslaved Africans who, despite oppression, reclaimed their culture through music and performance. For Robert Young, the lead designer of Vulgar Fraction, these themes of resistance are intrinsic to their costumes, specifically their upcoming 2025 theme “Kongo Déy,” which addresses the marginalized exploitation in the Congo region related to global electronics.

The essence of Carnival has evolved over the years to encompass rampant commercialization, drawing a stark contrast to its original purpose which was inherently political. For many revelers, the experience often revolves around indulgence in parties marked by lavish amenities rather than the underlying cultural and political commentary that Young emphasizes as integral to the Carnival experience.

Robert Young, influenced by his upbringing in a household of labor union activists, incorporates social consciousness into his artistic creations. His journey into mas making began during his teenage years, where his early experiences sparked his passion for costume design and motivated his decision to establish Vulgar Fraction.

The Vulgar Fraction band, initially a collection of independent artists, has continuously evolved to confront issues like the invisibility of African contributions to history, particularly noting the influence of the Kingdom of Kongo in the Caribbean’s cultural landscape. Young argues for the importance of reclaiming and celebrating these narratives through Carnival, which he views as a unique platform for political dialogue.

Young describes the disconnection created by the wealth divide at Carnival, which privileges luxurious experiences for some while marginalizing others. He emphasizes that the spirit of Carnival should allow for inclusivity and community rather than exclusivity.

Each year, Young and Vulgar Fraction adapt their themes, gathering stories and cultural input to create costumes that provoke critical discussions. Their artistic process merges practicality with thematic depth, often allowing masqueraders to interpret and embody the essence of the costumes created.

Through these narratives, Young believes that Carnival serves as a vital medium for political expression and awareness. It has historically provided a space for marginalized voices, and Vulgar Fraction seeks to capitalize on this potential, focusing on critical social issues such as global socio-political dynamics. Young’s narrative reflects a conscious effort to diverge from mainstream expectations of Carnival, advocating instead for a more meaningful engagement with its roots and implications.

Vulgar Fraction revitalizes Trinidad’s Carnival by fusing artistic expression with poignant political commentary. Their commitment to historical narratives challenges the contemporary commercialization of the festival. Robert Young’s vision underscores the necessity of utilizing Carnival as a platform for cultural resistance, ensuring that it remains a space for revival and reflection on significant societal issues. Vulgar Fraction’s themes highlight the intersection of art, history, and activism, fostering a greater understanding of Caribbean identity and its connections to global events.

Original Source: nacla.org